Digital Cameras

San Diego, CA—Sony introduced the α (alpha) SLR- α560 DSLR camera, which leverages the company’s Exmor APS HD CMOS sensor. Along with the α33 and α55 cameras, also announced, the α560 is one of the only DSLRs with multi-frame noise reduction, sweep panorama mode, 3D sweep panorama and Full HD 1,920x1,080 60i video capture.

Additionally, Sony added to its line of more than 30 A-mount lenses with three models—the Carl Zeiss Distagon T* 24mm f/2 ZA SSM, DT 35mm f/1.8 SAM and the 85mm f/2.8 SAM.

“These new lenses and camera show our commitment to the DSLR market and that we will never stop innovating,” said Kristen Elder, director, Digital Imaging, Sony Electronics. “These products complement our overall Sony Alpha lineup, which we are significantly expanding today. The camera offers a choice to those consumers who want to gain the benefits of professional-level shooting speed as well as be able to capture video with in a traditional style DSLR.”

Sony α560 DSLR. The 14.2 megapixel α560 offers the same features as its predecessor, the Sony α550, which introduced “quick AF live view,” 7-frames-per-second (fps) continuous shooting and auto HDR to the step-up DSLR class. Its next-gen Exmor APS HD CMOS sensor employs low-noise processing while its Bionz image processor has color-noise reduction that helps achieve low noise up to ISO 12800. Multi-frame noise reduction stacks a high-speed burst of six frames and creates a single low-noise exposure that boosts effective sensitivity to ISO 25600.

With quick AF live view, which utilizes two sensors, the α560 is said to focus as quickly in live view mode as when shooting through the eye-level viewfinder. And Sony equipped this camera with a 3.0-inch LCD screen that tilts 90 degrees and two live view functions; in addition to quick AF live view, for every day shooting, Sony provides focus check live view to enable framing and magnification for setting focus in macro and tripod shooting. Temporary 7x and 14x zoom views enable users to focus on fine detail while the 1x view shows 100 percent framing in the LCD.

The α560 also captures Full HD video in AVCHD files that can be viewed on an HDTV via the camera’s built-in HDMI terminal (cable not included). It also includes built-in stereo microphones for audio recording. And it offers creative control even when shooting movies, with users able to apply white balance and creative style settings, as well as adjust aperture settings and exposure compensation while recording movies.

Other features include: multi-shot technology that uses the camera’s high-speed sensor and processor to capture and assemble many frames to create low-noise, extended dynamic range, wide panoramas and 3D images; sweep panorama to capture shots up to 180 degrees horizontally or 126 degrees vertically; 3D sweep panorama mode to shoot 3D panoramic images with a single lens; support for Memory Stick PRO Duo and SD (including SDXC) media; and enhanced in-camera High Dynamic Range (HDR) that can capture highlights, midtones and shadows while handling severe backlighting and other high-contrast scenes. The α560 has a maximum auto HDR range of 6EV.

Multi Frame NR is a new function where, when the shutter is released, the camera automatically takes six frames at the currently selected shutter speed, aperture and ISO, and combines them into a single JPEG with a reduction in noise at the selected aperture and shutter speed that is equivalent to approximately two ISO steps.

The α560 camera body and 18-55mm lens kit will cost about $750 and will be available in October. With the body only, it will cost about $650.

Sony SLT-A55V and Sony SLT-A33. Both models adopt Sony’s new Translucent Mirror technology, developed to achieve the highest level of autofocus speed for still image and movie shooting. Sony reports the pair “continuously and quickly focus (with TTL phase-detection) while shooting stills and recording video—even in Full HD, allowing desired moments to be captured in tack sharp focus, high-definition video.” The duo is equipped with a translucent mirror, which enables light passing through the lens to be simultaneously received by the image sensor and the autofocus sensor, “allowing continuous shooting and continuous focusing at speeds never before possible,” says Sony. The 16.2 megapixel α55 can shoot continuously at 10 fps, the 14.2MP α33 at up to seven.

Translucent Mirror technology does away with the motion of raising and lowering the mirror, so the absence of the moving mirror contributes to making the body size significantly more compact. And by eliminating the need to raise and lower the mirror between shots, it’s possible to focus while images are captured. The cameras also have continuous advance priority AE mode and will automatically adjust for the best exposure.

Other features include: a 15-point AF system with continuous phase-detect AF; the ability to maintain continuous phase detection AF while recording Full HD AVCHD video; an Exmor APS HD CMOS sensor that allows the capture of background defocusing effects; a Tru-Finder eye-level viewfinder with 100 percent coverage and 1.1x magnification for shooting stills and movies; a fully articulated 3.0-inch Xtra Fine LCD with TruBlack technology and full-time live view; an ISO range of 100-12,800; auto HDR that combines three frames into a single high dynamic range (HDR) photo; multi-frame NR; handheld twilight that combines six frames into a single photo to suppress blur when shooting night scenes without a tripod or flash; 3D sweep panorama technology; auto+ (advanced auto) mode that enables the cameras to recognize the correct scene mode; and HDMI connectivity to Bravia HDTVs. Additionally, the α55 offers built-in GPS capability to enable global positioning coordinates to be recorded along with the date and time.

Compatible with A-mount lenses, these cameras also accept Memory Stick PRO Duo and SD media. A new dedicated microphone will also be available. The α55 and α33 cameras will cost about $750 and $650, respectively, for the body only and about $850 and $750 with an 18-55mm zoom lens. Theα33 will be available in September, and theα55 will reach retail in October.

New A-Mount Lenses Add Creativity
Carl Zeiss Distagon T* 24mm f/2 ZA SSM (model SAL24F20Z). This lens functions as a wide-angle 24mm lens on full-frame cameras with 36mm-equivalent lens sensors or as a 36mm-equivalent lens for general use on cameras with APS-C sensors. Developed with Carl Zeiss, it employs the Carl Zeiss Distagon designed for wide-angle lenses. It also features a built-in SSM (super sonic wave motor), a focal range from 0.19m to infinity, a nine-blade circular aperture that along with its f/2 aperture contributes to natural bokeh effects, and an all-metal lens barrel. $1,250.

DT 35mm f/1.8 SAM (SAL35F18). Weighing 6 ounces, this lens can be added without noticeably increasing the weight of a camera bag. It has an approximately 50mm-equivalent focal length on an APS-C sensor, which makes it geared for snapshots and portraits under varying conditions. Its high-speed f/1.8 maximum aperture is helpful for handheld shooting in low light. At 0.8 ft., this lens has the shortest minimum focus in its class for close-up shooting, and its internal “smooth autofocus motor” (SAM) helps ensure responsive and fluid autofocus operation. $200.

85mm f/2.8 SAM (SAL85F28). This is a full-frame lens with the 85mm focal length that is a standard for portraiture. On an APS-C sensor camera, this lens functions as a 127.5mm-equivalent telephoto lens. It features a Sonnar-type optical design optimal for mid-range telephoto lenses and smooth defocusing thanks to its f/2.8 maximum aperture and circular aperture design. $250. sony.com

Six L-Series EF Lenses Also Debut, Including Wide Fisheye Zoom and Two Super Telephotos with Optional Extenders

Lake Success, NY—Canon USA announced its EOS 60D digital SLR, which boasts 18 megapixels of resolution, a 3.0-inch vari-angle LCD screen, Full HD video recording with manual overrides, in-camera functionality for RAW image processing plus creative filters. Aimed at advanced amateurs, the 60D replaces the EOS 50D and provides an array of new features to make it easier to add personal creativity to images.

“The EOS 60D has been designed to offer the image capture and the Full HD video features customers are looking for as they continue to expand their photographic skills. The exciting new features of the EOS 60D make using a DSLR camera more attractive and easier than ever before. We want everyone to experience the great image quality a Canon DSLR can offer with features and functions that they will appreciate and use,” said Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging, Canon USA.

For the first time in the EOS system, the 60D has a vari-angle 3.0-inch Clear View LCD with 1,040,000-dot/VGA resolution plus antireflective and smudge-resistant coatings. Another first for the system is a multi-control dial, which streamlines navigation for vertical as well as horizontal shooting and enables a cleaner camera design than previous models. The 60D also has a locking mode dial, which prevents inadvertent changes to the selected shooting mode.

Yet another first for an EOS camera is the in-camera processing of RAW files, new reduced resolution image copies, and post-processing creative image filters. In-camera RAW image processing functions include picture style, white balance, color space, high-ISO noise reduction, peripheral illumination correction, linear distortion correction and chromatic aberration correction. The in-camera tools allow photographers to optimize images in the field and generate JPEGs at various resolution and compression settings for immediate sharing, without affecting the original RAW data. Lower resolution settings include 1,920x1,280 for display on HDTVs and 720x480 for uploading to social networking and photo-sharing websites.

New creative image filters include: soft focus; grainy black and white, for a nostalgic effect; toy camera, which adds vignetting and color shift for a creative option when shooting a colorful scene; and miniature effect, to make a scene appear like a small-scale model, simulating the look from a tilt-shift lens. The filters can be applied to a captured image in-camera to create a second “filtered” JPEG version, leaving the original RAW or JPEG file unaffected.

Also enhanced is the camera’s live view function, which adds an aspect ratio feature whereby the live view screen can display cropping lines for 1:1, 16:9 or 4:3 aspect ratios in addition to the standard 3:2. And a dedicated button initiates live view for still and video shooting.

Video capture options include Full HD at 1,920x1,080 res with selectable frame rates of cinematic 24p, 25p or 30p, as well as 720p HD at 50p or 60p, and SD video at 50p or 60p. The new movie mode also provides manual controls for exposure and audio levels in 64 steps, much like the firmware update for the EOS 5D Mark II HD-SLR. Canon also added an electronic wind filter to the audio controls within the movie shooting menu and included in-camera movie editing, allowing users to shorten a video by clipping segments from the beginning or the end. The 60D also includes a movie crop mode, which permits users to achieve 7x magnification when shooting SD video.

Other features include: an optical viewfinder; 9-point autofocus; Canon’s iFCL 63-zone metering system (intelligent focus, color, luminance); full-res still capture at 5.3 frames per second; an ISO range from 100-6400 and expandable to 12,800; a pop-up flash with an integrated Speedlite transmitter for control of two groups of off-camera EOS Speedlites without using an external transmitter; and support for extended capacity SDXC memory cards.

The Canon EOS 60D DSLR is scheduled for late September delivery and will be sold in a body-only configuration for $1,099 and as a kit with Canon’s EF-S 18-135mm f/3.5-5.6 IS zoom lens for $1,399. The Canon BG-E9 battery grip will retail for $270.

Six New L-Series EF Lenses and Accessories Introduced
Canon rounds out its summer introductions with four L-series lenses and two accessory extenders for professionals and advanced amateurs. “Canon’s core has always been our optics, and we are constantly challenging ourselves to produce better and more advanced optical systems for our customers. These six new products advance the state of the art in Canon lens technology and provide new and innovative tools for professionals and advanced amateur photographers,” added Yuichi Ishizuka.

EF 8-15mm f/4L Fisheye USM. Canon is marketing this lens as “the world’s widest fisheye zoom lens.” It delivers 180-degree diagonal angle of view images for all EOS SLRs from full-frame to APS-C and provides 180-degree circular fisheye images for full-frame EOS models. It employs UD (ultra-low dispersion glass) and aspherical lens elements to enhance image quality and is equipped with rubber gaskets and weather seals. Canon’s SWC (sub wavelength structure coating) is used to minimize flare, and a fluorine anti-smear coating is applied to the front and rear elements to make lens cleaning easier. Scheduled for January 2011, it will have an MSRP of $1,400.

EF 70-300mm f/4-5.6L IS USM. This compact, lightweight telephoto zoom lens is targeted at advanced amateurs looking for extra reach to bring a subject in tight and close. It incorporates two UD elements, weather and dust seals, an improved mechanical design and streamlined ergonomics to help avoid inadvertent mode switch operation. The shapes of the lens elements and their coatings are optimized to minimize ghosting and flare, and a new fluorine anti-smear coating is applied to the front and rear elements. The lens’s floating system optical formula is designed to improve image quality at all distance settings and reduce minimum focusing distance by more than a foot. An updated optical image stabilization (IS) system is added to combat camera shake up to four full shutter-speed steps. It is due out in October. $1,500.

EF 300mm f/2.8L IS II USM. This sixth generation of Canon 300mm f/2.8 lenses is suitable for a range of applications, from photojournalism and sports photography to nature and wildlife. This model is designed for improved image quality, 13 percent lighter weight, better image stabilization and enhanced durability. Its optical formula is upgraded with two fluorite lens elements for reduced chromatic aberration. For more durability, magnesium alloy and titanium is added to lens barrel components, along with weather sealing for all exterior joints and switches and a fluorine anti-smear coating on front and rear elements. It reaches retail in December. $7,000.

EF 400mm f/2.8L IS II USM. Canon’s professional 400mm f/2.8 lens is engineered to provide the light-gathering capability and long telephoto reach that sports photographers need to freeze action and fill the frame. It features two fluorite lens elements, reduced overall weight by 28 percent, IS that adds four shutter speed steps of shake compensation, the use of magnesium alloy and titanium for lens barrel components, weather sealing for all exterior joints and switches, and a fluorine anti-smear coating on front and rear elements. It’s also due in December. $11,000.

Extender EF 1.4x III and Extender EF 2x III. Replacements of Canon’s current extenders, these units are designed to provide faster autofocusing and improved autofocus precision with compatible EF lenses. Both employ an anomalous dispersion lens element for reduced chromatic aberration and enhanced image quality, a newly developed microcomputer that increases AF precision when the extenders are used with a IS series II EF super-telephoto lens, rubber gaskets and weather seals, and a fluorine anti-smear coating on front and rear elements. Both will be out in December. $500. usa.canon.com

Melville, NY—Nikon’s D3100 digital SLR was developed to provide an easy-to-use and affordable entrance into the world of Nikon DSLR cameras. The 14.2 megapixel D3100, which debuted with four new Nikkor lenses, offers Full HD 1080p video recording and includes an enhanced guide mode that displays on its 3.0-inch LCD to offer suggestions or adjust settings. And, the D3100 is the first to introduce full-time autofocus (AF) in live view and D-movie modes.

Housed in a compact, lightweight body are such Nikon technologies as a new Expeed 2 image-processing engine, a 14.2MP DX-format CMOS sensor, a fast 11-point AF system and ISOs expandable to 12,800 for shooting indoors or in the evening.
“People are stepping up to digital SLR cameras—consumers are embracing the enhanced performance, amazing image quality and options for lenses and accessories that only a DSLR can provide,” said Lisa Osorio, general manager of marketing at Nikon Inc. “The D3100 is a camera that makes it easy to take beautiful pictures and will grow with the user, unlocking their potential and assisting in creating lasting memories or amazing art.“

Accessed through the mode dial on top of the camera, an enhanced guide mode features sample assist images that change with camera settings to inspire consumers to achieve a desired look to their images, while guiding them through photographic techniques, such as softening backgrounds or freezing a moment in time.

Video recording options include Full HD 1080p resolution (1,920x1,080), cinematic-quality 24p video clips, and shooting at 24 or 30 frames per second in 720p, suitable for online sharing—with full-time AF for D-movie shooting and while in live view mode. By incorporating Nikkor lenses, users can add effects to video, such as isolating subjects with a shallow depth of field, and recording in low light. And Nikkor lenses with Vibration Reduction (VR) II technology help eliminate camera shake.

The D3100 records in the H.264 AVCHD codec (.mov file) to facilitate sharing and editing of video clips. While playing movies back in-camera, users can clip footage from the beginning or end. And via its HDMI output, video and stills can be viewed on an HDTV and controlled using the HDMI Consumer Electronics Control (CEC) interface that is a part of most HDTV remote controls.

Other features include: face detection to lock focus on up to 35 human faces; live view activation with the flick of a dedicated switch; support for SDXC memory cards to store large amounts of photos and video; an active D-lighting system that automatically rescues dark or backlit images; Nikon’s scene recognition system that draws on the 420-pixel RGB color 3D matrix meter for optimized exposures in various lighting; an auto scene selector in live view mode that automatically selects the best scene mode; six preset scene modes; a dust-reduction system; an enhanced viewfinder design; 3D subject tracking to continuously focus on fast-moving subjects throughout the frame; and a quiet shutter release mode to reduce the sound of the mirror while shooting. An in-camera retouch menu allows users to apply a variety of effects to images without a computer, like a miniature effect, image overlay, color outline and softening filters.

The D3100 is compatible with more than 40 Nikkor AF-S interchangeable lenses, and while it has a built-in flash, it also operates with Nikon’s Creative Lighting system and is capable of wireless lighting when using the SB-900 Speedlight or the SU-800 wireless commander. The D3100 also supports Eye-Fi memory cards to enable the wireless transfer of images to a computer. Also included is a new version of Nikon’s image-editing application, View NX2, to help organize and edit photos and video.

The D3100 camera outfit, including the AF-S Nikkor 18-55mm f/3.5-5.6G VR image stabilization lens, is scheduled to reach retail in mid September, at an estimated selling price of $699.95.

New Companion Nikkor Optics
Nikon announced four Nikkor lenses to meet the needs of all types of photographers. The three zoom lenses utilize Nikon’s Vibration Reduction (VR) II image stabilization system designed to provide four stops of correction to help create blur-free images while shooting handheld or in challenging lighting. All four lenses feature Nikon’s Silent Wave Motor (SWM) technology “to deliver fast, accurate and quiet AF performance” and Nikon’s super integrated coating (SIC) for color consistency and reduced flaring. And found in the 85mm f/1.4 and 24-120mm f/4 is Nikon’s nano-crystal coat to aid in reducing ghosting and flare.

AF-S DX Nikkor 55-300mm f/4.5-5.6G ED VR. This super telephoto lens is said to be the ideal complement to the 18-55mm VR DX-format camera kit lens, providing focal lengths from 82.5-450mm (35mm equivalent). Its tripod detection mode enables users to keep VR image stabilization activated and automatically compensates for minute vibrations when mounted on a tripod. Additionally, a high refractive index lens element is implemented to keep the lens compact while offering high contrast even at maximum aperture. Also included are two extra-low dispersion (ED) elements to minimize chromatic aberration. $399.95

AF-S Nikkor 28-300mm f/3.5-5.6G ED VR. The first Nikon FX-format lens with a 10.7x zoom range for enthusiasts and professionals, the 28-300mm is billed as “the all-in-one optical solution that is ideal for travel, landscapes, portraits and capturing distant subjects.” It has an equivalent focal length of 42-450mm when attached to a DX-format DSLR and includes two ED glass elements and three aspherical elements to eliminate coma and other aberrations at wide aperture settings. Incorporated are an M/A focus mode switch to enable quick changes between manual and autofocus operation and internal focusing to allow autofocus without changing the length of the lens while retaining working distance through the focus range. $1,299.95.

AF-S Nikkor 24-120mm f/4 G ED VR. In the wide-to-portrait lens category, it provides a medium focal range with a constant aperture of f/4 to maintain exposure settings throughout its zoom range. It also features two ED elements, three aspherical lens elements, an M/A focus mode switch, internal focus and nano crystal coat. $1,049.95.

AF-S Nikkor 85mm f/1.4G ED. Geared for professional portrait, studio and wedding photographers, Nikon says the 
AF-S 85mm f/1.4G ED is “an ultra-fast classic portrait lens boasting amazing picture quality, high performance and the ability to create dramatic background effects (bokeh).” It is also suited for portraits and low-light shooting because of its ability to create a shallow depth of field. It’s optimized for edge-to-edge sharpness on FX- and DX-format DSLRs and features two focus modes, M/A (manual-priority autofocus) and M (manual), as well as internal focusing, nano crystal coat and rugged construction. $1,699.95. nikonusa.com






AF-S DX Nikkor 55-300mm f/4.5-5.6G ED VR






AF-S Nikkor 28-300mm f/3.5-5.6G ED VR





AF-S Nikkor 24-120mm f/4G ED VR




AF-S Nikkor 85mm f/1.4G

Valhalla, NY—Fujifilm North America added to its FinePix Real 3D system with the FinePix Real 3D W3 digital camera, which steps up from its predecessor with the ability to shoot high-resolution 3D photos and movies in 3D HD at 720p.

Employing a new RP (Real Photo) processor, the W3 offers a mini HDMI port, for playback on most 3D televisions, and an autostereoscopic 3D widescreen 3.5-inch LCD that displays high-contrast images and movies that can be viewed in 3D without using 3D glasses.  

“Last year, Fujifilm introduced the first real, complete solution for 3D digital photography, once again showing our commitment to the evolution of imaging technology,” said Go Miyazaki, division president, Imaging and Electronic Imaging divisions, Fujifilm North America Corp. “With the new FinePix Real 3D W3 digital camera, we have made 3D imaging more accessible to all consumers, enabling them to shoot in 3D HD and making it easy to view their photos and movies on most 3D TV systems.”

The slim, stainless steel W3 has a black matte finish and is ergonomically designed, measuring 21.0 mm at its thinnest point and weighing 8.5 ounces with battery and memory card. Its horizontal lens cover with a wave detail serves as the on/off switch.

Fujifilm’s FinePix Real 3D technology was developed to capture true 3D using twin 10 megapixel CCD sensors and dual Fujinon 3x optical zoom lenses (35-105mm) that are spaced 75mm apart to create realistic images similar to how human eyes see them. The synchronized control of the twin sensors releases the left and right shutters at the same time to produce a synchronized image with a natural sense of depth. Both the camera’s 3D and 2D auto functions help enable even novices to take high-definition high-resolution movies and photos, while audio is captured in stereo.

Other features include: individual shutter 3D shooting, so users can take two shots of the same subject from different positions, and have the camera automatically merge and save the captured images as a single, enhanced 3D photo; interval 3D shooting for capturing a 3D effect in faraway subjects; tele/wide simultaneous shooting, to zoom in on a subject while taking a wide-angle shot of the same scene; two-color simultaneous shooting, so that with a press of the shutter, users can take photos of the same scene with a different color tonality; and dual-sensitivity simultaneous shooting, which allows shooters to capture high and standard sensitivity simultaneously.

Also offered by the FinePix Real 3D W3 are a switch 2D/3D button, a one-touch movie mode, MyFinePix Studio 3D movie and photo editor software, manual shooting functions, 13 scene positions that match the subject and situation with the camera automatically optimizing settings for common shooting environments, an intelligent flash system and a 3D print solution (5x7-inch 3D prints are priced at $6.99).

The FinePix Real 3D W3 digital camera will be available in early September at a retail price of $499.95. fujifilmusa.com

 

Nikon announced a pair of new CoolPix digital cameras yesterday.

The first, pictured above, is the S1100pj, an update to the S1000pj, one of the first digicams to sport a built-in projector. The 14-megapixel S1100pj's projector gets a 40 percent boost to the brightness vs. the previous model. It features a 3-inch touch-screen display with a touch shutter function, which lets you snap a photo by tapping the display. There's a 5x wide-angle optical zoom lens (28-140mm, 35mm equiv.), 17 scene modes and 720p HD video recording too. Look for it in September for $349.

A built-in projector is definitely a cool, if quirky, feature, but if you're a little more budget-minded, the S5100 might be worth a look. The $179 camera boasts a 12-megapixel image sensor, 720p HD video capture, and a 5x wide angle optical zoom lens (28-140mm, 35mm equiv.). You'll also find a 2.7-inch LCD, 18 scene modes and macro focusing up to .8 inches. Look for the S5100 to hit store shelves in October.

Golden, CO—For consumers looking to add a trendy colored digital SLR to their imaging arsenal, Pentax announced that its K-x DSLR, already offered in an array of colors, is now available in olive, pink, chocolate and beige.

The compact and lightweight Pentax K-x first shipped in October 2009, boasting a one-handed shooting design and easy operation that makes it geared for users stepping up from a point-and-shoot digital camera to their first digital SLR. The K-x offers high-end features not normally found in an entry-level camera, including: a high-resolution 12.4 megapixel CMOS image sensor with sensor-shift shake reduction for stabilized image and video capture up to 4 stops; a 2.7-inch LCD featuring live view with face detection autofocus (16 faces); widescreen HD video capture in 720p at a cinematic 24 frames per second, using any Pentax 35mm lens; High Dynamic Range image capture that blends three bracketed images into a single picture for shadow, highlight and midrange details; and Pentax’s auto picture and scene modes for almost any situation to help new photographers learn DSLR photography.

The K-x also has a 4.7-fps capture speed and a 1/6,000-sec maximum shutter speed. Specs state it will capture up to 1900 shots with AA lithium batteries (also compatible with AA NiMH rechargeable and alkaline batteries).

The Pentax K-x DSLR, available in all twelve colors, is priced at $649.95 with a DA L 18-55mm lens. pentaximaging.com

Ever since Star Wars taught us that lasers can bring down an intergalactic empire, we've loved lasers. But photography buffs now have reason to fear them: they can damage your digital SLR. According to Julie Babcock, lasers can destroy the pixels in an image sensor. She highlights this tip-sheet from the International Laser Display Association on how to film in a laser-filed environment without destroying your hardware. Tips include: avoid beams directed straight at your lens. Something to keep in mind next time you're at a particularly cheesy wedding or sweet 16 party.

Samsung already has a Wi Fi-enabled camcorder in its lineup, so it's not surprising that they'd serve up a Wi Fi still camera. And so they have: the 14-megapixel ST80 is a DLNA-enabled camera that can connect with other DLNA-compliant devices (including TVs and computers) for wirelessly transporting images. The camera has an internal email address book too, so you can send photos and videos from the camera to your friends' inbox's without a computer.

It's more run-of-the-mill specs include a 3x optical zoom lens, 3-inch touch-screen display, a smart crop function which automatically straightens off-center images, a smart auto mode (available for stills and movies) that selects the correct scene mode based on your shooting conditions and HD movie capture at 720p.

Look for it in September for $249.

Samsung said today that it will update its "dual view" digital cameras - you know, the ones with an LCD screen on the front and back of the camera. The new models - the ST600 and ST100 - are due in September and will both larger front displays at 1.8-inches (vs. 1.5-inches before). They'll feature a "smart auto" mode for automatically matching a scene mode to shooting conditions and 14-megapixel image sensors.

The ST600 ($329)  sports a 5x optical zoom lens (27mm wide angle), a 3.5-inch LCD display, optical image stabilization, HD video recording at 702p/30fps, face recognition and a max ISO of 3,200. You'll also find a smile shot feature, self-timer, in-camera editing and numerous scene modes.

The ST100 ($349) has a 5x optical but it's a 35mm lens, so you won't get the wider angle that you'll find on the ST600.  It's slightly more compact that the ST600 and the lens won't protrude from the camera. Otherwise, it has the same core specs.

That seems to be the upshot of this report from Reuters:

Maeda also said the company was working on a smaller version of its upmarket single-lens reflex (SLR) cameras in a bid to compete with the new breed of mid-range so-called "mirrorless" cameras launched by Sony Corp, Olympus Corp (7733.T), and Panasonic Corp.

Nikon also has a new camera in the works, though it has yet to reveal details.

Maeda did not give further details of the new camera, including whether the internal structure would include a mirror.

posted @ Tuesday, July 20, 2010 8:11 AM | Feedback (5)